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The Warmth of Death: Alexander Brodsky and the Necropolis in the Womb of the Metropolis

Author(s):
Medium: journal article
Language(s): English
Published in: Architectural Design, , n. 4, v. 93
Page(s): 38-45
DOI: 10.1002/ad.2952
Abstract:

Moscow‐born artist and architect Alexander Brodsky's work is very much infused with its Russian context; its geography, landscape, climate and political regimes. For him, ‘penumbra is a permanent state of gaze’. Architect and researcher Susanna Pisciella looks at his continuous migration between architecture and art installation, and suggests that he also finds inspiration in the shadow of language.

Structurae cannot make the full text of this publication available at this time. The full text can be accessed through the publisher via the DOI: 10.1002/ad.2952.
  • About this
    data sheet
  • Reference-ID
    10736994
  • Published on:
    03/09/2023
  • Last updated on:
    03/09/2023
 
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