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The ‘architecture of colour-form’: Adrian Stokes and Venice

Author(s):
Medium: journal article
Language(s): English
Published in: arq: Architectural Research Quarterly, , n. 2, v. 8
Page(s): 159-169
DOI: 10.1017/s1359135504000193
Abstract:

Adrian Stokes (1902–72) — aesthete, critic, painter and poet — is linked to John Ruskin and Walter Pater as one of the greatest aesthetic thinkers in this English empirical tradition. This paper explores his insights on the reciprocity of colour and form in relation to architecture.

Structurae cannot make the full text of this publication available at this time. The full text can be accessed through the publisher via the DOI: 10.1017/s1359135504000193.
  • About this
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  • Reference-ID
    10362332
  • Published on:
    12/08/2019
  • Last updated on:
    12/08/2019
 
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