^ Conceptual diagrams in creative architectural practice: the case of Daniel Libeskind's Jewish Museum | Structurae
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Conceptual diagrams in creative architectural practice: the case of Daniel Libeskind's Jewish Museum

Auteur(s):

Médium: article de revue
Langue(s): anglais
Publié dans: arq: Architectural Research Quarterly, , n. 1, v. 16
Page(s): 15-27
DOI: 10.1017/s1359135512000255
Abstrait:

The Jewish Museum in Berlin is the first major building of Daniel Libeskind [1,2]. The project for the museum has instigated a wealth of discussions in architectural circles and achieved a rare status of attracting the attention of scholars from other disciplines. Kurt W. Forster put the design for the Jewish Museum on a par with Piranesi'sCarceri d'Invenzione, an unusual position for any building since very rarely does an architectural design ‘[…] bear this double burden of representing both actual buildings and mental structures, and which therefore have to submit to being measured by both standards: the durability of their ideas and the imaginative faculty of their designer.’

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Structurae ne peut pas vous offrir cette publication en texte intégral pour l'instant. Le texte intégral est accessible chez l'éditeur. DOI: 10.1017/s1359135512000255.
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  • Reference-ID
    10355293
  • Publié(e) le:
    13.08.2019
  • Modifié(e) le:
    13.08.2019