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Auteur(s):
Médium: article de revue
Langue(s): anglais
Publié dans: Architectural History, , v. 48
Page(s): 107-138
DOI: 10.1017/s0066622x00003749
Abstrait:

Architecture in Oxford between the Civil War and the early Georgian period presents a fascinating picture of great stylistic change and originality, as vernacular building traditions largely inherited from the Gothic of the Middle Ages were superseded by new design philosophies derived from Renaissance interpretations of classical architecture. The new architecture was driven by an increasingly élite and academic taste, largely dependent upon expensive foreign books and even more costly foreign travel, and necessitated fundamental changes to the established building practices of the colleges, which had hitherto relied largely on local master masons for both construction and design. As architecture ‘was something outside the ken of the average Oxford don', knowledgeable men, especially those who had travelled abroad and seen modern buildings, became important arbiters of taste, and often drifted into architecture as a result. The first and most famous Oxford man to take this path was Christopher Wren of Wadham College in the 1660s, but he was followed a generation later by Henry Aldrich, Dean of Christ Church, after whose death in 1710 the mantle passed to George Clarke of All Souls College. It is with the significance of the latter two men's activities at Christ Church that we will presently be concerned.

Structurae ne peut pas vous offrir cette publication en texte intégral pour l'instant. Le texte intégral est accessible chez l'éditeur. DOI: 10.1017/s0066622x00003749.
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  • Reference-ID
    10305972
  • Publié(e) le:
    01.03.2019
  • Modifié(e) le:
    01.03.2019
 
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