C. R. Mackintosh: the symbolic geometry of The Hill House

The first part of this essay analyses in detail key aspects of The Hill House, in order to reveal the organising aesthetic principle that governs it. It would seem that a simple yet infinitely complex system of proportional measure binds a few natural and geometric symbols into a complex whole of profound poetic significance. The second part outlines the possible implications of this discovery for the interpretation and history of the house as an individual work of art, as well as of Mackintosh'soeuvreas a whole. These will be the subject of future research.